#Morris guitars serial number serial number
#Morris guitars serial number professional

The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. Very reasonably priced at only AU$14,500, potential buyers from the US or UK should immediately check the current exchange rate вЂ“ CLICK HEREВ вЂ“ as the low Australia dollar makes this an even more enticing buy.ДЇREE COURIER DELIVERY is included to any address in Australia, or $100 airfreight to New Zealand, and $175 to the US, Canada, UK and mainstream European countries.In 1926 Gibson introduced the L-series guitars with the L-0 at $35 and the L-1 at $50 (1928 prices).

#Morris guitars serial number serial number

With pots dated January of 1966 and the serial number verified with Rickenbacker as being a May вЂ™66 build date, this fabulous piece of history is 100% original, (with the possible exception of the nut), and includes the original hard shell case, mentioned earlier.

(These frets were the Rickenbacker equivalent of GibsonвЂ™s famous вЂFretless WonderвЂ™ frets вЂ“ so low theyвЂ™re barely there, but so sleek and smooth to play itвЂ™s a total delight) The chrome parts all look near new, the board and frets, likewise.

Regular use has removed some of the finish on the back of the neck, (pic # 6), and there is some light buckle-rash on the back, (surface only, nothing through to the timber), however the driverвЂ™s side is in magnificent condition вЂ“ you need to catch the light at just the right angle to spot anything at all. The guitar has been played, but definitely not abused. We will continue researching this, but if you have a photo that you think may pinpoint our guitarвЂ™s original owner, please donвЂ™t hesitate to get in touch. Other 1997 owners during the sixties included Denny Laine of the Moody Blues, (later in Paul McCartneyвЂ™s Wings), Donovan and the WhoвЂ™s Pete Townshend вЂ“ who did own at least two 1997s. This grain marking is virtually a вЂњtimber fingerprintвЂќ, from which the original owner could be immediately identified вЂ“ if a suitable photograph should be found. A small whirl of darker grain can be seen in the Maple top, immediately below the bottom of the bridge, on the treble side. Hilton Valentine, guitarist with the Animals had a 1997, but this is not his. The Beatles played RicвЂ™s, but neither John nor George owned a Rose Morris 1997. Without being big name artists, we cannot imagine many UK musicians in the sixties being able to afford one Rickenbacker, let alone two. So, the intrigueвЂ¦ these guitars were built for the UK market.

#Morris guitars serial number professional

The handle side of the case also shows where a strip of tape would have had a professional playerвЂ™s name. This was clearly done with a paintbrush, in the days before there were white marker pens. The body end of the case has a very old piece of black gaffer tape, with # 2, in white paint. Now, some intrigueвЂ¦! YouвЂ™ll notice that pic # 8 shows two views of the original Rickenbacker silver Tolex-covered case. (Twenty years later вЂ“ sometime during the 1980s вЂ“ Rickenbacker changed the 335 vibrato modelвЂ™s designation to 330VB) Same carved body and construction, same вЂtoasterвЂ™ pickups, same finish, same vibrato unit, same everything, other than the shape of the sound hole. The Rose Morris model 1997 was the same as RickenbackerвЂ™s US model 335 вЂ“ except for the f-hole. The guitars have become known to fans and collectors as вЂRose MorrisвЂ™ models, and command significantly higher prices than their equivalent US siblings. The major difference between the American and UK guitars was that those destined for the English market had traditional f-shaped sound holes, rather than RicвЂ™s usual вЂњslashвЂќ, or cats-eye shape. The company talked Rickenbacker into manufacturing UK-exclusive versions of their five top-selling models.

However, in the UK, instrument distributer Rose, Morris Co., Ltd, came up with a unique concept in marketing the famous Rickenbacker models that were receiving daily publicity across the globe, in the hands of the Beatles, the Rolling Stones and the Who. With the so-called British Invasion running rampant across radio airwaves worldwide by the mid-sixties, demand for the same guitars those bands were seen using saw all sorts of cash-ins taking place.